Genre Jumping

I’ve always considered myself a contemporary romance kind of girl. Though I read widely, when it comes to writing, realistic contemporary has consistently been the genre I’ve chosen. I’ve always been fascinated by the way people (teenagers, specifically) deal with tough situations and how they lean on those who they’re closest to. This, very simply, is the bread and butter of what my first two books were about: teens coping with a difficult real-life situation and the toll those challenges put on their relationships.  

Now, though, I think I’m ready to branch out. I’m seriously considering the idea of taking a stab at the paranormal world. Not vamps or witches or mermaids, but the kind of paranormal I’ve always been quite curious about. The kind of paranormal we can’t confidently discount from reality.

The paranormal aspect in this book I’m still fleshing out will compel my main character to take a serious look at her life, the world-rocking mistakes she’s made, and the relationships she’s all but ruined. Though I plan to shroud the story in romance and a bit of mystery, my main character will face a literal life-and-death decision, one that wouldn’t be nearly as effective if written in the contemporary genre.

The thing is, paranormal might not be for me. I might get fifty words into this puppy and discover that it’s not working at all. But I’m okay with that. I’m giving myself permission to step out of my comfort zone, to take a chance with something new, to explore a genre that’s new and fascinating to me.

So, I’ve plotted loosely, written a little, done some extensive characterizing on who will hopefully becoming my three main characters, and invented the perfect little coastal town for my story to take place. Now, I have to get it on paper and see how it all pieces together, but I’m excited to explore this new genre where I can make the rules and the possibilities are endless.  

WIP will take place in a town sort of like this.

 

In a house sort of like this.

Friday Five – Summertime Edition

1 – First, I have to rave about Jenny Han’s Summer series, of which the first two books I devoured in about 48 hours total. Amazing, amazing, amazing… and an extra amazing because I got to read them under the sun with my feet in my daughter’s kiddie pool!

 

Seriously, they’re the kind of books you read that make you want to quit writing because they are so beautiful and emotional, but simple and without airs, too. You want to BE the main character, because she’s adorable and has two awesome boys who love her. But at the same time, you’re glad you aren’t her, because she’s flawed and has impossible decisions to make. I can’t stop thinking about the characters and their love triangle that has no good outcome; I have a feeling that at least one of those characters I love is going to be left heartbroken.

2 – I’ve been listening to Kenny Chesney A LOT lately. He’s just so fabulous and has the very best summertime mood music… here’s my favorite:   

3 – Summer means a new season of one of my very favorite shows, Project Runway! I think Heidi Klum is so darn fabulous, I love the eccentric cast of designers they always seem to find, and Tim Gunn is my hero! Plus, the challenges are always so imaginative and fun. If you’ve never watched, I highly recommend giving it a shot. Lifetime, 9pm, Thursdays.

4 – Not a huge Zac Efron fan, but I’m dying to see the movie Charlie St. Cloud. From what I’ve seen, this movie looks like the perfect mix of romance, action, and emotion, all mixed up with a bit of a ghost story. Plus, when Zac Efron cries in the trailer, those big blue eyes all filled with tears, my heart just about breaks. Something about a guy torn up by the death of a family member really pulls at my heartstrings.  

5 – I think I’m ready for a new WIP! I need something to take my mind of the querying process, and what better than to dive head first into a new project? I think of it sort of like a rebound boyfriend after a bad break-up… I need something new to distract me and keep me busy while I work on distancing myself from the project that previously consumed me. So… my new WIP’s going to be set in the summer time, at a place sort of like this:

And I’m trying to weasel my husband into taking a trip (strictly for research 🙂 ) here:

And while we’re at it, I’ve been inspired by this too:

Hope you’re having a wonderful summer! 🙂

Friday Five: Visual Inspiration

I’m a visual girl; therefore I often troll the internet in search of actual pictures of the images and ideas I write about. So, for today’s midsummer Friday Five, I’m posting five of my favorite WIP visuals. I’m posting the pictures without comment, first, so as not give anything in WIP away, and second, because I don’t wish to influence your perception. The images below might become something completely different to you than what they are to me. Without further ado:

Ooh, and a bonus. Lucky you! This is competely unrelated to WIP, but here I am with my little family on Independence Day… isn’t my Munchkin a cutie pie?!

Friday Five: What we can learn about writing fom SEX AND THE CITY…

My mom and I went to see Sex and the City 2 last weekend. First, let me say that I did not regret purchasing the ticket or spending two-and-a-half hours of my sunny Saturday in the theater—I was perfectly entertained which, these days, is all I really ask for. BUT… this movie was not exactly fine cinema. I couldn’t help but wonder: What is it about the SATC franchise that makes it so successful, even through bouts of mediocrity? And what is about this movie in particular that made me excuse away a whole lot of flaws and actually enjoy it?

Most importantly, how can I apply this stuff to my writing? (Because really, isn’t that all that matters?J)

ONE – The Characters­ – The four main women of Sex and the City are distinct in their characteristics and wonderfully flawed. Charlotte is a perfectionist who keeps her emotions bottled up. Miranda is a no-nonsense workaholic. Carrie is funny and romantic and a bit self-involved. Samantha is a makes-no-apologies sexual revolutionist. Say what you will about these women, their quirks, and their not-so-demure sexual practices, but their motivations are always clear. You can pretty much always predict how they’ll react to certain situations. The most shocking dialogue isn’t a real surprise because it always fits the character who utters it. Even their clothing fits their unique personalities: you’d never catch sultry Samantha in one of the buttoned up power suits that Miranda rocks.

**Lesson: Characters must be distinct, fresh, and with clear motivations. They must have attributing characteristics that define them in the reader’s mind. Though surprises can be wonderful, characters shouldn’t behave in a way that makes the reader think, What?!

Two – The Bond – Above everything else, this series has been about friendships and the bond between women. Sure, they argue and bicker. Yes, they all have their own lives: families, jobs, and personal struggles—but when it comes down to it, Carrie, Charlotte, Miranda and Samantha are each others’ soul mates. They support each other, though they also question each other, something that makes their relationships feel more organic and honest. The interactions between the four women are all unique, for example, Carrie’s dynamic with Charlotte is slightly different from the way she interacts with Samantha. They stick together through thick and thin and their bond feels strong, sympathetic and real. 

**Lesson: Main characters must have a friend or two (especially in YA) but the camaraderie must feel genuine and authentic to be truly appreciated. Contrived friendships are a throw-away.   

 

Three – The Romance – SATC has some of the hottest relationships on TV/in movies. There’s a reason this show began on HBO! People like romance. Women like romance. Women like steamy romance. We like relationships we can cheer for, blemished or not. We like relationships that grow and evolve with the characters. We like to see characters challenged by their romantic relationships. SATC’s romances take a leading role, second only to the friendship between the four main characters. Through the revolving door of men, we learn more about the women, about their goals, ideals, and weaknesses.

**Lesson: Strictly my opinion, but I wouldn’t read (or write!) a book without some romantic element, no matter how small. Too much is to be gained through romantic interactions to leave them out completely.   

 

Four – The Setting – SATC is set mainly in NYC. I’ve never been there, nor do I really want to visit. That fast-paced, crowded lifestyle isn’t really for me. That being said, NYC is a fascinating place, AND the perfect setting for such a colorful show. In SATC2, the girls take an impromptu trip to Abu Dhabi, one of the few cities on the planet that might be even more vivid than New York. When I first heard that some of the movie was set in Abu Dhabi, I thought it was an interesting choice of locale. Upon seeing the movie, I whole-heartedly believe it was a courageous and powerful choice. Carrie, Samantha, Charlotte, and Miranda learn about themselves through experiencing the much more modest Middle Eastern culture very different from the lifestyle they’re used to. But, they also learn that women can be a united front no matter what background we’re brought up in.

**Lesson: Setting isn’t just a backdrop. If done well, it can become a force all its own.

 

Five – ­The Complete and Utter Outlandishness –  Okay, the stuff that happens on SATC—the stuff of this movie in particular—will never, ever happen to most of us. It’s all way, way out there. Glamorous dinners in NYC? All-expenses-paid exotic vacations? Gorgeous men around every corner? No. Not in my world, anyway. But isn’t it fun to watch?! It’s a total escape from reality, which is what we want when we pay big bucks to go to the movies (or bug bucks at the bookstore). But even through all the glam and craziness, there are still elements of SATC that the average person can relate to. Pressures at work, crying kiddos, a stale phase in a relationship. Those elements of the story bring us back to the real world and give us something to hold on to, investing us in the characters and the storyline.

**Lesson: Your plot, your setting, your characters—they can all be as eccentric or as bizarre or as out of this world as you choose to make them, but if there’s nothing the reader can relate to, you’re in danger of losing their emotional investment.

Lovely Lyrics

In honor of the fabulous concert I went to Friday night, my favorite Tim McGraw song I Need You, sung with the lovely Faith Hill.

I wanna drink that shot of whiskey
I wanna smoke that cigarette
I wanna smell that sweet addiction on my breath
I wanna ride ‘cross West Virginia in the backseat of a Cadillac
You know some cowboys like me go out like that
So I need you

Like a needle needs a vein
Like my uncle Joe in Oklahoma needs the rain
I need you like a lighthouse on the coast
Like the father and the son need the holy ghost
I need you

I wanna get lost in some corner booth
Cantina Mexico
I wanna dance to the static of an AM radio
I wanna wrap the moon around us and lay beside you skin on skin
Make love ’til the sun comes up… ’til the sun goes down again
‘Cause I need you

-Written by Tony Lane and David Lee